TEACHING TIP
Conditional (IF) Sentences - Stewart Moore
Different texts I've read have different information
regarding the types of conditional sentences. Some only identify
3 types, and some say 4. Here I'll work on the theory that there's
four. Please note that the following is an over simplification of
the way conditionals are actually used, but I've found it a useful
framework for teaching.
Zero conditional
For indicating a definite causal relationship between
two situations. (Syllabus Level 2 PG 15)
e.g. If you insult Kevin, he gets angry.
If + simple present verb + simple present verb
First conditional
For talking about a possible event and a highly
probable result (Syllabus Level 2 PG 18)
e.g. If you're nice to Kevin, he'll be nice to you.
If + simple present verb + will + simple present
verb
Second conditional
For talking about a possible event and a low probability
result. (Syllabus Level 2 PG 28)
e.g. If I insulted Pete, he'd laugh.
If + simple past verb + would + simple present verb
Third conditional
For talking about a past event that was possible,
but never happened, and a result that is now impossible. (Syllabus
Level 3 PG 15)
e.g. If I had got Pete's job, I would have been
much more relaxed than I am now.
If + past perfect verb + would + present perfect
verb
Knowing this framework may help to put together
teaching scenarios.
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Teaching Examples
Zero conditional
- have the student give you instructions on how
to use a machine
e.g. If you press this button, the machine starts
- have the student explain company policies or
procedures
e.g. If the parts are rusty, we send them back
First conditional
- have the student tell you what they will do if
it rains
on the weekend
- have the student tell you what they will do on
their next holiday and then throw problems at them
e.g. What will you do if your wife doesn't want to go to Bali
?
Second conditional
- Give the student moral dilemmas and ask them
what they would do in hypothetical situations
e.g. what would you do if you found a wallet on the street with
100,000 yen in it ?
What would you do if you found out your friend was stealing money
from the company?
What would you do if a competitor company offered you more money
and a better job (what if you had to transfer to another city)
- Ask them what they would do if there was a big
earthquake, Fuji erupted or there was a fire in the office.
Third conditional
- Ask the student if they have any regrets and
ask them what they wished they had done
- Ask them what they would have done if they had
not got in to a university or college, or if they had not been
able to join Yazaki
Hope that helps - gambatte.
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Something from John's Freeman.
First of all, I'd like to thank Alastair for his initiative and
work in providing a forum for us to share ideas and opinions. I
guess feeling and imagination doesn't amount to a whole lot without
any action. Thanks Alastair and everyone else involved.
I was fortunate enough to be able to meet Miura-san's father in
Kitakyushu just before JALT last year. Nakamura-san and I spent
the Thursday ( before JALT started) together there, and I was once
again reminded of the incredible hospitality Japanese show at times.
Besides treating me to a delicious lunch overlooking the waterfront
of Shimonoseki, and dinner and a hot bath at the Nakamura house,
he packed me up in his car for a tour of the area. It was on this
day that I was introduced to Yoshida Shoin.
In 1859, Yoshida Shoin was ordered to commit seppuku (ritual suicide
by samurai) at the age of 29. His crime? He rowed out to the Black
Ships anchored off of Shimoda, and asked Commodore Perry, the American
tasked with opening Japan to the world after centuries of isolation,
to take him back to America. Though any attempt to leave Japan was
punishable by death, Shoin was one of the few men in Japan at the
time with the foresight and vision to realize that Japan would not
be able to remain free and sovereign without knowledge of the world
outside.
Due to delicate negotiations going on with the Edo shogunate at
the time, Perry refused Shoin's plea. However, it seems that Perry
was impressed with Shoin enough to appeal to the government on his
behalf for clemency, which helped stay his execution for five years.
Rather than immediately execute Shoin, he was exiled to Hagi, Yamaguchi
prefecture, where he became the headmaster of his revolutionary
school, the Shoka Sonjuku (Shoka village school).
What was so special about Shoin and the Shoka Sonjuku? A quick
search on the Internet will give you plenty of reasons, and I urge
everyone to take a look. However, I'd like to briefly discuss a
little bit of what I have found and how it may apply to us.
Though Yoshida was the sensei of the Shoka Sonjuku, he expressed
his attitude towards education and his students as follows: "I'm
not here to teach you, I am here to learn with you." I don't
think you will find many "teachers" in the Japanese education
system, or in English classrooms today with the same approach. What
about our classrooms? We have as much to learn from our students
as they do from us. In fact, the more we know about our students
and their culture, the more effective we can be in the classroom.
True communication is a two-way exchange, not a one-way barrage.
The same goes for cultural understanding, tolerance, and growth.
Even a modest show of interest and effort in trying to understand
the Japanese language and culture can make a tremendous difference
in the quality and effectiveness of our "teaching". This
extends outside the classroom as well - to the cafeteria or smoking
area, for example. How many of us eat lunch with students or other
Yazaki staff? How many of us make ourselves available (even occasionally)
to anyone who might actually enjoy eating with us? An interest in
and a willingness to learn from and with our students can go a long
way in making our own time as guests here all the better.
The second reason why Shoin had the effect he did was his vision
and foresight and how he was able to foster these traits in his
students. One of his mottos was "hijichoumoku". The literal
meaning of the kanji is flight/ear/long/eye. It will take some thinking
to try to grasp what it means, but basically, he encouraged his
students to try to look far into the future (choumoku), beyond today
and tomorrow, and to decide where they wanted to be at that time
and what it would take to get there. The other part (hiji) meant
gathering the information necessary today and acting on it.A quick
look at his students gives you a who's who of Japan's first Meiji
administration (including Ito Hirobumi, Japan's first prime minister,
and most of his cabinet) - the men who began the transformation
of Japan from a feudal system in which even wheels were outlawed
to an industrialized world power in less than seventy years. Shoin
was just a teacher, and only ran the Sonjuku for a few years before
he died, but the effect he had on his students, and in turn, Japan,
Asia, and the rest of the world baffles the mind. It is a reminder
of both the responsibility and the power that educators have to
make positive changes both in ourselves and in those around us.
Finally, Shoin was special in that he made no distinctions as to
the social status or backgrounds of his students. Regardless of
being born a samurai, farmer, peasant or merchant, anyone with a
desire to learn was equal in his eyes. Not only this, but he guided
and encouraged his students to develop their individual talents
and abilities. Those who showed aptitude in languages were encouraged
to learn English, Dutch, etc.; the same was true for those capable
in math, science, military arts, education, or any other field.
Unfortunately, this is exactly opposite of the education system
today in which students are forced or molded into "clones"
(at least to a very large extent). It is easy for us to characterize
many Japanese today as "uncreative", bad English speakers,
ignorant of geography, current events, etc., but are we not all
(to a large extent) products of our educational system? Where does
the blame lie? One of the saddest things is that many of our students
cannot even tell you who Yoshida Shoin was or what he did. Why don't
you ask them?
Just as with English education in Japan, there are glaring deficiencies
and gaps in other areas of education, including history and geography
for example. While students are not completely to blame, who is
willing to try to fill some of those gaps? I hope that we will look
for ways to try to broaden outlooks, set examples, show different
ways of doing things, stir some debate, show some interest and take
some action.
Our job of helping our students become proficient in English is
not nearly as simple as it should (or could) be. For our students
to really "embrace English" there must be some knowledge
and understanding of western culture. To really understand culture,
there must be some knowledge and understanding of the history -
of the events, people, thoughts, and ideas in which that culture
developed, and why it has developed that way.
Our students do not have to become "American", "Canadian",
or "Australian"; they do not have to lose any of their
"Japaneseness"; they don't have to accept or agree with
aspects of the culture, but they should know them and work to understand
why we are who we are, and how we came to be that way. So should
we.
Anyway, I really do appreciate having the chance to share some
thoughts, to rant a bit, and to hopefully introduce you to something
new. If you do have a chance, take a peek into the people and events
in Japan around the 1860s and 70s - try "Meiji Restoration",
"Yoshi Shoin", "Shoka Sonjuku" for starters.
You might be surprised at how relevant, even inspiring, "history"
can be.
John
Any and all comments are welcome
freeman@fia2400.com
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Social Committee
Hey Folks!
YOUR new Social Committee would like to thank you for your votes
update you on what we have brewing for the next 6 months.
First and foremost, we expect you've already marked this on your
calendars, but remember that April 20th is the Annual FIA Photo
Exhibition. It'll be a great evening of wine and cheese, and excellent
photography. Bradley and Karen have both agreed to cut short their
scheduled Photo Exhibition in Paris in order to grace us with their
work, and we hope many more of you out there are selecting your
best shots to display that evening. [Note: Due to an unfortunate
incident at last year's Photo Show, we respectfully request that
no photos include images of latex eveningwear. Thank you.]
This year's Beach Party (probably in mid-July) is gonna be hot!
A King & Queen of the Beach Contest (start doing those sit-ups
and bench presses now), a Wiener Roast (all the men squirm at that),
and Julian promises to show us how he can catch a Frisbee in his
mouth (after about 12 beers). [Note: Actual Beach Party Events may
vary.]
We have made our mandate this term to welcome people to FIA in
a warmer, more community-oriented fashion. When a new staff member
arrives to your area, please be open to an invitation for a couple
of drinks as a mini welcome party.
Finally, as this is your Social Committee (and your Social Fund),
we would also like to solicit any ideas for events from you. So
we'll be sending around a fax early next week asking for ideas.
Please suggest anything you think the staff as a whole could enjoy.
(Boy, that sounds a bit dicey, doesn't it)?! Anyway, you know what
we mean.)
We'll keep in touch, and see you at the Photo Exhibition!
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Restaurant of the month.
Name: ARAISO (in kanji)
Type: Kaiten sushi (sushi train)
Where: Route 414 Numazu near the Emperors holiday house. Turn
left just around KFC. You can see it from the main road. It's
a traditional Japanese looking building with 'fire lanterns' out
the front.
Why?: This is probably the most famous Kaiten sushi place in Numazu.
The sushi is big, cheap, and fresh!!!
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